A Spotlight on… Margarete Berger-Hamerschlag


As we draw to a close of our Tall Tales touring programme, we look back to the beginning and particularly when we met the Tavistock Centre’s archivist and curator, Karma Percy and three very special works hidden within the centre itself.

Upon discussing the potential Tall Tales exhibition as part of the Tavistock’s changing corridor gallery space and potential artist-in-residence (later to become Tall Tales artist Ruth Barker), we discovered just how vast the collection of artwork already residing within this NHS trust building really was.

Karma Percy had been working in collaboration with the Public Catalogue Foundation since 2010, to record and catalogue all the donated paintings within the Tavistock Centre, as part of the Foundation’s ultimate goal to document all publically owned paintings in the United Kingdom.

The Tavistock Centre’s own diverse collection of paintings is now live on the BBC website ‘Your Paintings’. The collection began in 1990 by Caroline Garland, a renowned psychoanalyst and writer who engaged local artists and championed the principle of good art in public buildings.

The Trust’s art collection is particularly unique because it consists entirely of modern and contemporary paintings, the oldest work in the building by Anthony Whishaw (RA) ‘Arcos de la Frontera’, dates back to 1960. There is wide variety of styles and subject matter in our collection but for myself and co-curator Helen, we became particularly drawn towards the work of Margarete Berger-Hamerschalg, who had 3 paintings quietly hiding up on the 3rd floor corridor.

From her earliest years when she scribbled on the prescription pads of her doctor father Berger-Hamerschlag demonstrated a desire and devotion to making art. After studying  at Professor Cizek’s groundbreaking school for children in Vienna and then at the Kunstgewerbeschule (Arts & Crafts School) in Vienna, she embarked on a whirlwind international career as illustrator, portrait painter, landscape artist, as well as fashion design and costume design for the theatre.

She was a free spirit, traversing the world, painting from country to country, experiencing life to the full. In 1934 she and her husband Josef Berger, whom she had married impulsively one lunchtime without telling her respectable family. After various traveling adventures, they finally set up home in England two years later where she continued her successful career.

She started teaching in Youth Clubs in about 1950 to make money, initially due to the post war austerity, which meant her art might be in less demand, but this activity gradually came to dominate her life and it was in this period in which she was able to combine the several facets of her artistic skills. Her educational impulses resulted in the book Journey into a Fog, an account of her years teaching, a very considerable success in its day. It ran to many editions, published in the USA, and even appeared in a paperback version. She was not long to enjoy her success though, as cancer took her life in 1958.


Her youth club series, and images of girls, in particular, hold a strong gaze with anyone who set’s their eyes upon them. What strikes you the most is the strong attitude and dress, which the subject matters seem to hold within each painting, and was evocative of the teddby boy and youth club era. Amongst a full corridor of other interesting works, these particular youth club works, stood out amongst the other works within the Tavistock collection and the story of Hamershalg’s work and herself felt true to the themes of our Tall Tales tour. We were delighted to be the first external curator’s to loan Margarete’s work from the Tavistock Centre, meaing not only that they left the building for the first time since they were initially gifted to the centre, but that they could then travel alongside 17 other female artist’s work and be viewed by many across the UK.

And just between you and me, I can’t deny a close resemblence between one of Margarete’s painted girls, and our very own Karma Percy, who was so generous in supporting our loan of the work. Perhaps another reason we felt so drawn to the peice.

Although the Tall Tales tour has now come to an end, the works will be returned to their As long term home in the Tavistock Centre for you to see, as well as other examples of her work on display in the Belvedere Gallery in Vienna, the Applied Arts Museum in Vienna and the Victoria & Albert Museum in London.

Image credits – Header Image: Teddy Boy & Teddy Boy and Girl, install image of Tall Tales at Glasgow Women’s Library
Middle Image: Two Girls at Youth Club, Margarete Berger-Hamershclag, watercolour on paper, photo by Tavistock Centre Art Collection 

Beth Collar & Liz Wewiora talk through archives, truths & tall tales


060After meeting with Beth for her last week in residence at Glasgow Women’s Library, we discussed her research leading to the creation of a new video work based on the archives, writing and collections within the library. Beth will expand upon her original research into questioning the authorship and ownership of written language, specifically of that of the female voice in relation to Mans language and with it exposing the juicy facts’ and tall tales around accepting archival and the written word as truth. With fragments and captions directly drawn from library material as diverse as the early 1900’s women’s suffrage newspaper ‘Jus Suffragii’ to sexual health pamphlets from the 50’s and Naomi Wolfs exposure of unethical ingredients found in face creams, expect to see the concept of a documentary turned completely on its head.


Ruth Barker focusing in on Anna Freud


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After spending time at the Tavistock and Portman NHS Trust (a research and practicing centre for mental health), Tall Tales artist in residence Ruth Barker has honed in on connections to Anna Freud. After learning more about Anna, the ‘father of psychoanalysis’ Sigmund Freud’s sixth child and a pioneering psychologist in her own right, Ruth was delighted to meet staff at the Freud Museum which has influenced her thinking further, with the museum and Anna Freud Centre being only a short walk from the Tavistock Centre.

Ruth has been looking into the relationship between the two psychoanalysts – in particular learning how as a result of Freud’s battle with cancer he ironically lost the ability to speak, with the ground-breaking, and possibly ‘mother’ of child psychology, but lesser known Anna eventually becoming his voice.

These connections are merely a starting point for Ruth in considering the development of new works that may include both video and performance. Ruth has returned to Glasgow to continue her research and development also looking into, as she often does with her practice, key classical figures whose stories, for Ruth resonate with the story of Anna Freud and her father, for example the story of Cassandra.

Meanwhile the Wewioraprojects curators have been back to London to spend some more time with the collection and wonderful Curator and Librarian Karma Percy at the Tavistock Centre, as well as meet with the Freud Museum ourselves learning about the rich Anna Freud archive. Alongside an additional visit to  discover the inner workings of the neighbouring Central School of Speech and Drama, where many students are engaged in voice studies, it appears that the potential connections across the work of these Swiss Cottage/ Finchley Road area institutions, contextual links for Ruth’s developing work and the wider Tall Tales programme are keeping busy minds even busier!


A little more from Helen Wewiora on Tall Tales links at the Tavistock Centre


article-2362089-1AC93A21000005DC-732_634x333As part of the current research and development stages of Wewioraprojects’ Tall Tales programme, both Helen Wewiora and artist-in-residence Ruth Barker, have been exploring the Tavistock Centre; the London based touring venue for the proposed forthcoming Tall Tales exhibition programme.

”The Tavistock Centre is home to The Tavistock and Portman NHS Foundation Trust and is the largest outpatient clinic in Europe offering psychological treatment to adults, adolescents, children and families and also provides training to professionals working in this field. Unknown to many though the Tavistock Centre is also the home to a a rich library collection as well as a large art collection that reaches into its hundreds. The art collection is not only overwhelmingly vast but also varied. Permanently hung throughout the Tavistock Centre, in its corridors and public spaces as well as teaching rooms and offices, the Tavistock Centre’s art collection feels almost part of the fabric of the building, as well as the every day life of all those that inhabit the building. A dedicated and hard working librarian and curator, Karma Percy, leads the collection and mounts temporary shows. Karma works tirelessly to care for the collection and the legacy of its founder, a rather visionary clinician Caroline Garland. As myself and Ruth explored the collection what struck us was not only the integration of the works into the day to day life of the centre, almost as if the collection had an unspoken life of its own as well as a set of relationships with the centre’s communities, but also the many routes via which the works have found their way into the building, often donated by artists, galleries and collectors.”

To find out more about just some of this vast collection, a hidden gem of art history, then you can follow the link: http://www.bbc.co.uk/arts/yourpaintings/galleries/collections/the-tavistock-and-portman-nhs-foundation-trust-2460

(c) Mrs Annabel Obholzer; Supplied by The Public Catalogue FoundationImage C. Annabel Obholzer from the Tavistock and Portman Collection


Beth Collar hones in on the archives and theory of men in feminism & raising ownership of language



Beth Collar is Wewiora projects’ current artist-in-residence at Glasgow Women’s Library as part of our developing ‘Tall Tales’ programme, exploring female narratives – the facts, fiction and myths. For Beth’s second week in residence this August, her research has moved into the specific areas of the role of men within Feminism verses the critical writing about the role of women, also from men. Upon discovering the seemingly large support from men during the pre-world war 1’s suffragette campaigns, and listening in detail of how radical and key women such as Mary Wollstonecraft had the support of many male peer writers, Beth has started to weave ideas together about this seemingly pro-active support from men in juxtaposition with the theoretical writings of the 1700’s – where some claimed that all theory, all writing and thus all opinion could only ever be that of a man’s thought – as our language was written by man. ‘How can a woman then, ever own language’? This argument, however in contemporary terms seems weak, was a theory stated for 100’s of years from key and well respected theorists at the time, and texts about this are all included within the collections at Glasgow Women’s Library.

Beth sees these writings as ‘juicy critique’ to delve further and intends to play potential scenarios and discovered texts out in the form of a new video work.

Beth will return for her final week in residence for the last week of October, where the public are invited to join her and come along to ask what she has been working on in response to the collections at Glasgow Women’s Library.

Get in touch with the Wewiora Projects if you want to find out more here

Beth Collar exploring the library; radicals, heroins & fragments of monuments


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Today was the first research day for Wewioraprojects to catch up with current Tall Tales artist-in-residence Beth Collar. Currently working on-site at Glasgow Women’s Library, Beth has been researching the library collections and archives delving specifically into areas including suffragette publications and literature and discovering the initial but often overlooked campaigning for emancipation which pre-dated WW1.

It was also a chance to catch up with Glasgow Women Library’s Adele Patrick to discuss the plans for our proposed first leg of a touring exhibition programme – which would include the outcomes of Beth’s residency alongside 10-12 other female artists work which focus on narrative.

And what better way to finish a day of research and planning that by listening to a unique insight into the life of Mary Wollstonecraft – a radical and writer and mother of Author Mary Shelley. Listening from both a English Literature expert and a producer of large performance and film events, both Susan Manly (of St. Andrews University) and Dr Anna Birch (of the Royal Conservatoire of Scotland) gave very different but equally insightful presentations about this remarkable woman’s life – one which admittedly I did not know enough about before hand.

I was particularly drawn by the fragment of texts by Wollstonecraft wrote,  entitled ‘Lessons’ which focused on conversations between a daughter and her mother. Enlightening and curiously contemporary texts on the role of a child, her relationship to others and her future role as an individual; a woman – even more outstanding when considered this was written in 1700’s.

With talks, workshops and such a fantastic library collection and archive for Beth to delve into this is set to a fully rewarding residency experience! Beth will be in-residence for one more week in August and then will return after a short break for a final week in the second half of September – so do keep an eye out for her!

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Beth Collar in-residence: exploring all things female narrative at Glasgow Women’s Library


Wewioraprojects are delighted to confirm London based artist Beth Collar as artist-in-residence at Glasgow Women’s Library commencing her 3 week research and development time on 5th August.

Beth will be exploring the vast and uniquely diverse archives at GWL with everything from the suffragettes and GBLT groups to female badge collections and witchcraft!

Regular posts about her time will be viewable via our blog site so do keep an eye out to see how Beth responds to the Collection and indeed the venue itself during this time.

Working across video, sound, drawing and performance, Beth’s practice raises questions about the construction of a collective historical consciousness and the desire to commune with pasts both real and imagined. Using her body as cipher for narrative, she engages improvised performative languages, favouring subjective interpretation over the universal, to interrogate archetypal themes such as manhood and war.
What better female artist then to respond to Wewioraprojects current developing project ‘Tall Tales’ within such a perfect context of Glasgow Women’s Library.
Beth will be in-residence from 5th August – 27th August 2014 with open door days for the public to see her on-site during the last few days. More details to follow soon!
This residency has kindly been supported by Grants for the Arts, Arts Council England